State Library and Archives of Tasmania Blog

“Wild Delight of the People”: Tasmania rejoices as peace declared, 11 November 1918

A black and white photo of a crowd of people in the streets, some are holding flags.
Crowds in Launceston, Weekly Courier, Launceston 14 Nov 1918

On the evening 11th of November, 1918, everyone in Tasmania was holding their breath. At any moment, news of the Armistice – the official end of the War – was expected. Every minute must have been agony.  In an era where news could flash from one end of the world to the other in mere seconds, when men had taken to the skies, when pictures could move, and while men were still dying in the mud of Flanders, this waiting was torture. But it was all you could do – stand outside the newspaper offices, bite your nails, and wait, wait, wait. This story is about the moment that the wait stopped, and a roar of joy erupted before the guns on the Western Front finally fell silent.

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Two forgotten bushranger plays

Part of a poster, it reads: “Monday, Oct. 8th, 1821. Will be presented a new romantic serio-comic melo-drama of novelty and interest, founded on Wentworth’s New South Wales, Cailed. Michael Howe. The Terror! of van diema’s land. Settlers”

For more than 200 years, bushrangers have captured the imagination of storytellers and audiences alike.  Their exploits have inspired songs, books, and, of course, plays. Read on to find out more about two forgotten bushranger plays that span the centuries and the globe, from the floorboards of the Royal Coburg Theatre in London to the airwaves of Tasmanian radio.

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A Peek Inside the Cascades Female Factory, 1833-1834, and a New Digital Volunteer Expedition

A painting of a road with a house in the distance and mountains in the background.

At the foot of Mount Wellington stands the remains of a forbidding institution.  Nearly two centuries ago, the walls of the Cascades Female Factory housed hundreds of women, children and babies. Some of these convict women were waiting to go to new masters, others were being punished. Now you can help to tell their stories through our newest digital volunteering project, transcribing the Register of Female Convicts at the Cascades Female Factory, 1833-1834.

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Take Cover! Tasmania’s WWII Air Raid Shelters

A structure made of sandbags on a street corner.
Photograph – Hobart Franklin Square air-raid shelters PH30-1-7074

The next time you’re in Franklin Square, consider this: you’re standing on an air raid shelter. In 1942, the ground beneath your feet was dug up by Civil Defence Force volunteers –  ordinary Hobart residents protecting their neighbours, families, and friends from enemy attack. All around Tasmania, people were digging shelters – in their backyards, at their children’s schools, and in public parks. It’s an amazing story of spirit and pluck in a time of darkness.

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Island Life: The Volunteer Work and Photographs of Trauti and David Reynolds

A photo of a lake with a mountain just behind it on a clear day.
Melaleuca Album 1 NS5575-2-3

At the end of National Volunteers Week, we wanted to take a moment both to thank our volunteers, and to highlight a new collection that tells stories of volunteering in Tasmania’s historic and wild places. These are the photograph albums of  Trauti and David Reynolds, which document their volunteer and conservation work around Tasmania over many years. Thanks to their generous donation, these albums are now digitized and available to everyone. 

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Adventurous Beginnings – Te Bibilia Tapu Ra

The cover of a book.
Te Bibilia Tapu ra, koia te Koreromotu Taito, e te Koreromotu Ou : I kiritiia ei tuatua Rarotonga. (London : William M. Watts, 1851)

Books travel. Throughout their lives, they are passed from hand to hand: given, borrowed, stolen, buried, discovered. Like all travelers, they also gather stories. This is the story of the Raratongan Bible, Te Bibilia Tapu Ra,  in the Australian Collection of the Tasmanian Archive and Heritage Office. It begins on a Pacific island and ends in Tasmania, and its story is fascinating. Interested? Read on!

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The Southern Tasmanian Volunteer Artillery

7 men in officers uniforms standing in front of a large cannon holding swords.
Southern Tasmanian Volunteer Artillery group at Queen’s Battery, The Domain. Photographer, Henry Hall Baily. TAHO, AUTAS001131821290j2k

Have you ever driven past the Alexandra Battery in Sandy Bay and wondered what it was for? Have you ever heard rumours of a planned Russian invasion of Tasmania in the 19th century? As Anzac Day approaches, we’d like to share the story of the Southern Volunteer Artillery Regiment with you. Thanks to our new corps of online volunteers, we can now tell this amazing story in a new way, preserve it for future generations, and maybe even link it to your own family history. Intrigued? Want to get involved? Read on!

Great Guns and the ‘Great Game’ in the Far South

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A convict portrayal: The Lewis family portraits by Thomas Bock

Hobart Town, by Henry WInkles. ALMFA, TAHO:

Nothing said ‘I’m important’ in 19th century Van Diemen’s Land more than having your portrait done.

The convict artist Thomas Bock was Hobart’s most fashionable portrait painter in the 1840s. The Allport Library and Museum of Fine Arts has possibly the largest collection of Bock’s works, and it has just expanded to include an extensive range of portraits of the Lewis family, made between 1835 and 1854.

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Jewelled Nights: The Surprising Story of Two Tasmanian Women and their Lost Silent Film

Part of a cover page for sheet music. The title is "Jewelled nights, song fox trot"
Jewelled nights song fox trot / written and composed by Frank Ottenson.

Almost a century ago, two Tasmanian women wrote and produced a lost classic of Australian cinema. Set in the osmiridium mining fields of Tasmania’s Western Wilderness, Jewelled Nights was one of the first productions of its kind, created by the novelist Marie Bjelke Petersen and the silent film actress Louise Lovely in 1924.

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Colonial Cunning Folk, part two: Moses Jewitt and Benjamin Nokes

A sketch of the top floor of a hotel seen from the outside
A.T. Fleury, The British Hotel ca.1900, TAHO PH30/1/2549.

Our previous post described the notebook of William Allison, a cunning man or traditional healer active in Van Diemen’s Land during the 1830s and 1840s. Survivals of such documents are extremely rare, and unheard of in colonial Australia. Besides recording Allison’s activities, his notebook sheds light on his network, naming two other practitioners from whom he obtained recipes: Moses Jewell or Jewitt, and Benj Knokes also noted as ‘BN’.

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